Irene Adler (
begmetwice) wrote in
fandomtownies2022-10-26 07:57 am
Entry tags:
Dite's Decadent Delights | Wednesday
Irene was not happy today.
It could have been many things, of course. Irene was the sort of woman who had led the sort of life that might have led to many unhappinesses. Maybe it was something extremely serious.
Or, maybe, it was that thousands of dollars of clothing was hanging neatly in her closet upstairs in her flat, with tiny smelly reddish stains on nearly the whole lot.
Irene was wearing head-to-toe black today in the shop, since it showed the ketchup (?????? ketchup????? As though she'd go near the stuff!) stains the least, and it was entirely possible that her chief activity today was pouting.
But Dite's was open. With werewolf dildos, even if the proprietress was less gleeful this year.
[you'll have to imagine them tho as I am on school wifi. open!]
It could have been many things, of course. Irene was the sort of woman who had led the sort of life that might have led to many unhappinesses. Maybe it was something extremely serious.
Or, maybe, it was that thousands of dollars of clothing was hanging neatly in her closet upstairs in her flat, with tiny smelly reddish stains on nearly the whole lot.
Irene was wearing head-to-toe black today in the shop, since it showed the ketchup (?????? ketchup????? As though she'd go near the stuff!) stains the least, and it was entirely possible that her chief activity today was pouting.
But Dite's was open. With werewolf dildos, even if the proprietress was less gleeful this year.
[you'll have to imagine them tho as I am on school wifi. open!]

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Which she might.
But the fact that she held two to-go cups from the Perk in her hand should give everyone an idea of where this might be going.
"Irene." She gave a stout nod of greeting, and lifted one of the cups. "I don't know what's going on with the Perk lately, but I ordered a coffee, and wound up with a tea instead. Don't suppose you'd want it."
It was Earl Grey! Which she figured was the fanciest and most British of the options, of course.
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"They really need better help over there," Irene commented, a slow smile spreading over her features as she moved over to take the offered cup. "Thanks for thinking of me."
And for going with a very fancy, British choice -- she very much approved of the Earl Grey, thank you much, Amaya. Or, rather, thank you confused barista, of course.
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"Well," Amaya said, with a shrug and a sigh that bordered on theatrical and a shake of her head, "would be a shame to just let it go to waste and all."
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She wasn't quite -- you know, Seivarden about it, but it still would have been quite a shame! If it had been truly imperiled, anyway. The theatricality in play here was kind of adorable, though she knew better than to say as much.
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And that was a layered question, if there ever was one, really, a question just as much to herself as it was to Irene, as it felt like it could be broad and unchartered territory that she was not properly equipped to tackle.
But, then again, she really hadn't been properly equipped for anything past the initial Saving of the Tea, either, if she was perfectly honest.
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"The stains," she sighed, plucking her black sweater between two fingers to draw it away from her chest to show Amaya the sticky, faintly-visible reddish stain. (Oh, no, Amaya, you'll have to look closer at her chest, couldn't have been prevented, so sad.) "Island thing, I think, since it's every bloody thing I own."
And not even convincingly bloody, either, bah-dum-tss.
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"Well, that doesn't look too bad," she reasoned, once she did sort of pick out the more reddish hues amid the black, although, yes, she did realize who she was talking to, and then there was the other part. "But bloody everything, huh?"
If asked, she'd insist the faint grin tucked in the corner of her mouth, now being tucked into another sip of her drink, was purely for the wordplay, nothing else, really.
Although she would feel bad if it turned out not to be just island thing.
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She hadn't done a full inventory, of course -- who had that kind of time? -- but at a cursory glance: yes, everything! The most dramatic and upsetting answer possible was the right one!
"Got you, too, by the looks of it," she noted, casting a critical (and vaguely concerned) eye towards those pumpkin guts at Amaya's hip. "I think WD-40 takes out pumpkin, if I remember correctly."
Irene was not what one would ever call handy, no. But she did know how to use her hands more than most people gave her credit for, and treating your expensive garments in the sink was much quicker than running crying to the cleaners every time!
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"From class," she offered up, a beat later, lest Irene start having concerns about unrelated pumpkin guts.
"We did pumpkin chuckin'," she extrapolated further, and any confusion that may have lingered after that was on Irene, because who needed more than that?
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She was, for the record, fairly relieved she would not have to contend with pumpkin guts herself (unless Amaya's somehow ended up on her), and it showed.
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Which were, clearly, the superior siege weapon, and if Irene felt differently, then Amaya was just going to have to seriously reconsider a lot of things right now.
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And speaking of things showing, she didn't take any care to hide her uncertainty about asking -- on the one hand, it would betray a lack of knowledge. On the other...she'd get to see Amaya talk about weapons.
Easy choice, really, even if it called for a little humility. Good cause, and all.
"What's the difference?" Other than that trebuchets were French.
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Amaya looked at her for a moment like the real, true reason she had come into the shop today had finally been revealed.
"Well," said Amaya, in a way that seemed almost like a warning, a way to prepare her for the barrage of information about to come her way, "you see, technically speaking, a trebuchet is a type of catapult, because a catapult is, really, just any machine, any ballistic weapon, used to hurl projectiles without the aid of gunpowder or other propellants. It's usually a matter of weight and tension. The type of machine most people associate with catapults when they hear the word is actually an onager, which uses a bowl or basket or some kind of sling at the end of a throwing arm to hurl its projectile. Usually shorter, squatter, and you basically force the arm down against a series of robes to create tension, and release it from there.
"Meanwhile, conversely, a trebuchet focuses more on the sling aspect and uses gravity to its advantage, rather than tension. They're going to be much bigger and taller, because you want a good long arm on a trebuchet to get the most range out of that sling. On one end," and here was the point where she was definitely using her own arms to demonstrate, "you have the sling. On the other? A counterweight. You load the sling, and then drop the counterweight, which then raises the arm and the sling with enough force to send whatever's in the sling flying. Much more dramatic, much more finesse, with a greater potential for distance, speed, and variable weight flung. An onager? Don't get me wrong. Solid machine, I took a lot of their design for the base of the Crumbler, actually, and it'll get a job done, but a trebuchet? Now that's got elegance. That's got class."
She may have been playing to her audience a little bit on that last part.
"A trebuchet's like mechanical poetry in motion. And just trying to figure out that right balance between all the elements to get that perfect projectile?" She closed her eyes for a moment, imagining it fondly. "Mmm. Can't get that with any old catapult, I can tell you that much."
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Intelligence was attractive. Passion was attractive. The combination of being passionate and informed about something you could make to the point where phrases like mechanical poetry were being invoked --
Well. Be still Irene's heart.
"They've got catapults -- onagers, I s'pose -- at the Tower for tourists to play with," Irene offered after a moment of digesting that information, having to shake her head a little to break the spell. "So I'm a bit more familiar with them as far as seeing the thing at work. Sounds like with a trebuchet there's less of a chance you'll just throw whatever -- the pumpkin you're chucking, I guess -- straight at the ground, too."
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She took a drink of her coffee just then, in part because that had been a lot of explaining, but also for just a moment to do some of her own work with weights and counterbalances in her head.
"I could show you sometime," she then offered, looking down at her cup to make a superfluous adjustment to the lid as she lowered it, "if you were interested."
If she was interested. Amaya. Really, now.
"We've mostly moved that lesson over to the danger shop, since there's a particular lack of nice wide open fields on an island this size, but I can whip one up....a small one, of course, nothing to large or impressive....easy enough, and I do sometimes miss just chucking the gourds out into the preserve or the ocean."
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Could've spent half of yesterday tossing cats, if that was your thing.
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And, ohhhh, just you wait until the day she finally moved onto the Crumber II.
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And if you were looking for it, that was the ghost of a flush that rose across Irene's cheeks, because -- well. That drill had been a very early morning, and she'd blame most of her judgement and conflicting feelings on the hour.
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"Real trick there," Amaya mused, almost idly, because, really, these were all things she'd thought of before, it was just that they never really saw the light of day outside of her thoughts and sketches, "is going to be weight, of course, and room, but the hydraulics help with that first bit, and the second bit is just a matter of figuring out how best to bend and fold something into itself and still have it be viable when it's bent and folded back out again."
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She held up one perfectly-manicured finger, set her tea aside, and strode off a few feet to retrieve a small black rod. With a quick flick of her wrist, the crop grew out to full length, and Irene gave it an approving nod. "Maybe fiberglass or the like, too, to keep it light."
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Followed by a now much wryer statement than it was going to have been originally.
"I know how telescopes work. Problem lies in making it too light, because it still needs to be able to withstand all the force and weight of the projectile and the counterbalance, too. That right there, then, is the key. Balance."
And figured out that balance was pretty much half the fun of it, really.
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"There you go," Irene replied, her smile having much more to do with watching Amaya's stroke of brilliance than the actual matter of what had been decided. (Her internet search history tonight would be a treasure trove of betrayal if ever uncovered -- a trail from "ballast" to "trebuchet" to "sexy blacksmith" seemed likely at the moment.) "It's just a matter of adapting in the right direction, right?"
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Her nodding head now turned into a bit of a headshake of disbelief.
"I'm surprised I didn't think of it sooner."
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It just sounded very satisfying.
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"Well," she then stated, "I'll need to spend some time at the drawing board before I make any leeway on any of that, but...luckily, you don't need to wait on that to chuck pumpkins into the ocean. How's your weekend look?"
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"I could move some things around in the name of pumpkin-chucking," Irene decided, pretending to think about it. "Provided we aren't buried under a deluge of sheet-ghosts or something by then."
She had, indeed, noticed that this week had a theme, sigh.
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Amaya snorted faintly at that. "Well," she said, "maybe if we're lucky, whatever it is on Saturday, we can just chuck that in the ocean, too."
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Well, Irene, are you trying to jinx things?
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Boy, was Amaya going to be so disappointed when all they got were whispers.