http://suit-of-sables.livejournal.com/ (
suit-of-sables.livejournal.com) wrote in
fandomtownies2009-09-01 11:33 am
The Boards - Tuesday, 9/1 - PERFORMANCE!!!!!! !!! !!!!!! eleventy !!!
Geoffrey managed to get back to the theatre in time to open the box office, but only just. @#%#ing bastards in the @#$%ing printing shop taking their @#$$ing time with his #@%#ing order! He'd put it in a month and a half ago! What the hell was that?
Hopefully, that'll be the last thing to go wrong with this production.
And he knocked wood in the hopes of making it so. He didn't need any more stress, not when he was starting to have... when...
The show. Focus on the show. And. Don't throttle anyone.
[ocd up!][anyone interested in being shanghaied for the show?, see the OOC note!]
Hopefully, that'll be the last thing to go wrong with this production.
And he knocked wood in the hopes of making it so. He didn't need any more stress, not when he was starting to have... when...
The show. Focus on the show. And. Don't throttle anyone.
[ocd up!][anyone interested in being shanghaied for the show?, see the OOC note!]

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She purchased her ticket and skipped off to find a seat.
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Fortunately, she had a lot of experience in pushing her own feelings to the side and going forward with an act. Usually, it had been in her Healer or Queen capacities, but whatever. She'd be fine. Soon. Assuming certain cast members stayed away from her. Too bad those cast members had no idea that they should.
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He read one of the books from his class that morning as he waited to go onstage.
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Also it helped her keep her own nerves in check. Woo.
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"If you're having any issues with you costume, come see me now!" she bellowed. When it came to her costumes, she wasn't about to be quiet.
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Good lord, how had Dinah pulled of playing the lead last time?
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It was why he was so different than his parents and most of his family.
He had to let out some excess energy so he squeed with excitement.
"Yeeee!" Quietly.
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slightly over the top melodramatic flair, quite frankly happy as a clam.Re: Backstage
She was such a softie. But he'd wanted her to help so much.
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Performance
[Actors, act (http://suit-of-sables.livejournal.com/3156.html)]
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But the nervous energy stayed with her, buoying her up, giving her performance an extra zing. She strode out on stage for the start of Scene Five, a piece of blank paper in her hands, her gown swirling around her feet, giving her the appearance of walking amidst a dark cloud. Her first few lines were slow, musing, but there was a rhythm building, one she could almost half hear. It built and built until it hit the first crescendo.
Come to my woman's breasts,
And take my milk for gall, you murdering ministers,
Wherever in your sightless substances
You wait on nature's mischief! Come, thick night,
And pall thee in the dunnest smoke of hell,
That my keen knife see not the wound it makes,
Nor heaven peep through the blanket of the dark,
To cry 'Hold, hold!'
The rest of the scene passed by in a blur. She remembered all her lines, and she thought that the some of the rapid-fire dialogue she shared with others nearly crackled with energy.
Scene Seven--such a great scene. She could feel the rhythm and energy rising again. She channeled Witch at her most dangerous, her most imperious. These were things Witch would never say, but she wanted to capture that feeling she evoked whenever she spoke: that sweet menace, that deadly charm.
I have given suck, and know
How tender 'tis to love the babe that milks me:
I would, while it was smiling in my face,
Have pluck'd my nipple from his boneless gums,
And dash'd the brains out, had I so sworn as you
Have done to this.
Act Two was almost comical, which Lady M's 'swoon' and that farce of a banquet. She juggled between being calmly reasonable, almost sweet, to the other lords, and hissing angry towards her 'husband.'
Though her best lines were in Act One, her favorite part of the role was subtly telegraphing the slow descent into madness. Subtlety had been stressed time and time again, and this time, Karla got it. It wasn't adding extra emotion to the words or playing up gestures...this time it was adding a haunting, almost lovely smile, a distance, an edge of 'not-all-thereness' to her performance. As if this world was slowly slipping away...
And then it was Act Five, the last time she would appear onstage. Rather than over-the-top howling mad, she made the sudden decision to go with a kind of shamed, heartbroken, regretful air. The kind of guilt that could eat you alive if you let it.
The thane of Fife had a wife: where is she now?--
What, will these hands ne'er be clean?--No more o'
that, my lord, no more o' that: you mar all with
this starting.
And she glided off stage, her skin as pale as her nightgown, a living ghost, to be contrasted against the others. It was all she could do not to grin, to keep the vacant and mournful expression until she was past the curtain.
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Because she very rarely, if evern felt this way, the narration was going say it for her. Dammit, Karla looked lovely tonight. Sophie had said so.
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OOC
Duncan (ie, guy who dies right at the beginning)
So if you'd like your character to get dragged in, told to memorize a few lines and chucked on stage for the night, lemme know here and I'll send Geoffrey to go abduct them for great last minute stand in lulz. That goes for the crew or anyone on the island. Anyone.
Also, any OTHER OOC concerns go here too. This was just, er, most immediate. I've got someone to toss in if no one steps up, though, so no worries.
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